“Dancing in
Jaffa,” directed by Hilla Medalia was a profoundly impactful documentary for me. The purpose of the film
was for Pierre Dulaine, a famous ballroom dancer, to return to his childhood
home of Jaffa in an attempt to teach young Jewish and Arab children to ballroom
dance. Pierre’s mother was Palestinian and his father was Irish and Pierre
spent a majority of his life living in the United Kingdom. Ultimately, Pierre’s
dance program lasted ten weeks and culminated with a competition between the
various schools, but also involved kids from different schools to touch each
other and dance with each other. The documentary followed a few Israeli and
Palestinian schools, including one school that was both Jewish and Palestinian.
There were also three children that were featured a bit more than the others
and they were Noor, a troubled young Muslim, Lois, a Jewish girl, and Alaa, an
Arab boy. Noor, who begins the film with zero friends whatsoever, ends up
becoming friends with Lois. Lois also befriends Alaa when they become dance partners
for the dance competition.
From a
cinema standpoint, some parts of the documentary could have been better, as far
as explaining the story line. However, the point gets across nonetheless and
creates a compelling story to shed light on the political situation in Israel
and Palestine. Watching the movie for a second time definitely clarifies some
details. I thoroughly enjoyed watching the kids interact with each other at
times, doing many of the things I did as a child and having the same thoughts
that I did at those ages. It was also eye-opening to see some of the peaceful
protests in the city, reminding me that this is a real, physical conflict that
is happening around the world, and that it is not just something I read about
in the news. These are real people’s lives.
For many
students, this program means literally “dancing with the enemy.” There were
parents and children alike who resisted and almost made Pierre end the program
prematurely. Participation in this program crosses cultural, political, and
religious boundaries for many, so it is understandable that there would be opposition
to it. Throughout the weeks, Pierre diligently works with the children from
different schools and slowly begins to break down walls and barriers between
them. The idea of pairing different schools together for the competition is
genius because it gets the parents to form an alliance of sorts with each
other. They both want their children to dance well so they must cheer with
other parents they might normally avoid.
Throughout
the movie, Pierre comments a couple times on his own thoughts on the politics
of it all by saying “I am not here for politics. This is how they feel and you
cannot change a person’s feeling… They learn to trust, and finally learn to
respect other people. This is my hope.” Later on, Pierre speaks to the children
directly and says “I don’t want to hear Jew, Arab, Arab, Jew. You’re all the
same! You understand?” At one point, Lois is having a discussion with her
mother and asks if Arab is a religion. In addition, one of the young girls says
“If my dad sees me with an Arab, he’ll kill me! A Jew with an Arab…” These
comments lead me to believe that these children don’t know much about the
political differences between Jews, Arabs, Palestinians, Israelis, etc. What
prejudices they do have are all learned from their parents and adult figures in
their lives. Because Pierre is working with children to change their attitudes
and prejudices, I believe he is doing a great service by planting seeds of love
and positive attitudes in these children at a young age. He is teaching them
that even though they are different and may not believe the same things, they
still share certain things in common and they can love each other nonetheless.
At the end
of the film, some of the children share their thoughts on the whole dancing
program, and though some students were apprehensive at first, they said things
such as “I like that the Jews and Arabs came together” and “At first we were
strangers but then we became friends.” Pierre himself commented to the camera during
the competition and said “For me to see this [dance competition], actually
happening in reality, a Jewish person dancing with an Arab person, Jewish
parents sitting with Arab parents, if I was not the emcee, I would be crying.”
In essence, the whole idea of the dance competition was risky because it could
have created conflict between various people. However, it ended up working out
for Pierre and his program. To this day, over 1000 children have learned to
dance through this program. Lois, when asked about the most important thing she
learned through ballroom dance, put it best by saying she learned “to trust one
another.” I don’t know all the details of this conflict and nor do I have all
the answers on how to solve it; however, I believe that if more people started to
think like these children and began to love and trust one another, it would help break down
the hatred that fuels the conflict.
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